What’s the Best Technics Turntable Under $2,500 USD for Non-DJs?

Someone on the subreddit r/turntables asked, “What might be the best Technics turntable under $2,500 USD for a non-DJ?” I gave a detailed answer based on my knowledge, and some glowing feedback, it only makes sense that it as many people as possible should see it.

Without further adieu, here’s a slightly expanded version of my Reddit answer, a.k.a. the definitive buyer’s guide for all current, new Technics turntables retailing at less than $2,500 USD if you’re using them for non-DJ purposes — i.e. just listening to music — with additional input thanks to some of the commenting Redditors.

All prices are current as of February 2025 and are subject to update. I’ve listed prices in both U.S. dollars and Canadian dollars.

So, What Is the Best Technics Turntable Under $2,500 USD for a Non-DJ?

As far as new Technics turntables are concerned, it’d be any of the following:

  • SL-1200GR ($1,699 USD or $2,499 CAD)
  • SL-1200GR2 ($2,199 USD or $2,799 CAD)
  • SL-1200MK7 ($1,099 USD or $1,399 CAD)
  • SL-100C ($1,099 USD or $1,399 CAD)
  • SL-1500C ($1,299 USD or $1,599 CAD)

What actually is the best one for YOU depends what you want. The SL-1200MK7 is the only one that’s marketed towards DJs, and even then, ALL of them are pure hi-fi turntables too, including the MK7.

Even the low-cost MK7 has an improved coreless motor over the SL-1200MK2 and its variants to eliminate even the littlest iota of noise. The MK7 also has improved tonearm bearings over all previous generations of the SL-1200, including the MK2, and two prior improvements to the tonearm bearings on the SL-1200 — once with the SL-1200MK3D and again on the SL-1200MK5.

The SL-1200GR and GR2 provide additional vibration isolation. The plinth is better-damped than lower-cost models, so mechanical resonances don’t color the sound, and you hear everything more clearly.

The SL-100C and SL-1500C have a cleaner design and are marketed towards the hi-fi crowd. They are equivalent to the SL-1200MK7, except the pitch fader is removed, they come bundled with phono cartridges, they have optional auto-stop, and the arm height adjustment functions differently. Between these two, I’d pick the SL-100C, because of 2 reasons:

  1. the bundled Audio-Technica AT-VM95C cartridge is a better value than the Ortofon 2M Red included with the 1500C. The VM95C has a conical stylus, so you can invest the price difference into an upgraded stylus like the VMN95EN, VMN95ML or VMN95SH.
  2. the SL-1500C has a built-in preamp, but it’s designed to work best with the bundled Ortofon 2M Red cartridge. Its preamp doesn’t provide optimum sound quality with other cartridge brands. The SL-100C has none, meaning you are free to use your own choice of preamp without having an internal one imposed on you.

So, my advice is: Name your poison. Pick the Technics model that best suits your taste for looks and features.

Some audiophiles and hi-fi nerds don’t want the SL-1200s because of their “DJ furniture”. Personally, I don’t mind the additional DJ furniture, and I like having a pitch fader to change the pitch on SOME records that need it due to inaccurate mastering.

If I was in the market for a new Technics, I’d start with the 1200MK7 and go from there.

What About the SL-1300G?

Ah, good question. The SL-1300G retails at $3,299 USD ($4,499 CAD), above the $2,500 USD price range specified.

It’s equivalent to the SL-1200G Grand Class ($4,299 USD / $5,999 CAD), the fanciest and most expensive SL-1200 variant currently available, with more sophisticated damping in the platter and plinth — but with the clean looks of the SL-1500C and SL-100C.

If you’re starting out and just want a freakin’ Technics turntable, the 1300G is overkill. ALL of the above models named within $2,500 USD are way more than enough for the average vinyl enthusiast, with fabulous build quality, a dead-silent speed-accurate direct drive system, an unimpeded audio signal path, and a smooth, frictionless tonearm that’ll trace grooves accurately whichever cartridge you put on it. Even in nothing so much as a YouTube sound comparison, I find the cheapest SL-100C holds its own against the much pricier 1300G.

The Verdict

The relaunched Technics brand has been such a blessing for the vinyl community. Gone is the DJ “stigma” of the SL-1200MK2 from the new Technics offerings. Now we have a wide variety of high-performing hi-fi direct-drive turntables that have the necessary components to extract the most sound quality out of ANY cartridge you slap on ’em. They’ve also found a sweet spot expanding the line to appease audiophiles’ desires for a cleaner aesthetic.

Granted, we may miss the classic rugged Toughbook feel of the old 1200MK2 through MK6…but these new models are just as well-made if not better than the Technics of old. And with just about any of them, you’ll be set for life.